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This past weekend, my wife Jody and I attended a performance of Cyrano de Bergerac performed at the Blackfriar’s Theater in Staunton, Va. Just to hear the language was well worth the one-hundred forty mile round trip. Although I don’t have the skill to read it in the original French, Anthony Burgess’ translation which combines blank verse, prose, and rhyming couplets held our attention for the nearly three-hour performance. He created a contemporary sound for a play written in 1897 by Edmond Rostand based on an historical seventeenth-century troubadour, dramatist, poet, soldier, and sword-swinging duelist known for his razor-sharp wit and w Read on →
There were superficial reasons—when he thundered on the political scene at the Democratic Convention in 2004 and then rode on the wave of that thunder to his election in 2008—to compare Barack Obama with Abraham Lincoln. There was the Illinois connection, for instance, and the gifted orator connection, and the “new birth of freedom” connection. Add to these the evident high esteem, even reverence, held by Obama for that towering mentor of his spirit, and it is easy to link the two of them. But what about things deeper than the surface? A sobering intimation arose in me, in the wake of the Read on →
One night about three years ago when Jake was five, I was settling him to sleep with a book about Chicken Licken. I hadn’t met her before but Jake knew her well. When we got to the end of the book and he asked for another story, I was too tired to fetch another book, and didn’t want to disturb his sleepy state, so I made up a variation on this theme. We lay with our eyes closed, imagining. Taking the character’s name in vain, we casually began to invent life situations and adventures for Chicken Licken. “Chicken Licken goes to school” Read on →
The French Impressionists attempted a rendering of what they saw, an "impression" yes, but the interesting aspect is best illustrated by Seurat's Pointillism. Interesting because in the late 1800s there was a shift in emphasis among painters of an adventurous nature, what came to be called the "avant-garde," from the "subject" depicted to the "act" of perception. This shift may have grown out of or been influenced by then current scientific theories of how the eye works, but I believe it was based in an emerging self-awareness. The excitement was not about "how" I see but "that" I see. I Read on →