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    we cannot forget

    KSU Cheerleaders Kneeling in the Stream of History

    by | 2 | Nov 12, 2017

    A few weeks ago, just before a football game against the visiting Crusaders from North Greenville University, five Kennesaw State University cheerleaders knelt during the playing of the National Anthem to protest police brutality against African Americans. KSU officials promptly banned the cheerleaders from the football field at future games until after the national anthem had been played.

    On Wednesday, in a letter to the KSU community, President Sam Olens announced that “I have decided that at Kennesaw State University’s next home game on November 11, the pre-game program will be restored to its original format, with the cheerleaders taking the field before the singing of the National Anthem.”

    He could have stopped there, but he didn’t. “I will stand during the National Anthem,” he continued, “to honor the women and men who have served in our nation’s armed forces. While I choose this action, I do not believe that this debate has to be a choice between honoring our veterans and protecting the freedom of speech. We must be able to do both.”

    The public lynching of Samuel Hose (aka: Sam Holt and ”Tom" Wilkes) in 1899 in Newnan (Coweta County), Georgia

    Believed to be the public lynching of Sal Hose

    In one of my classes a couple days before Olens’s letter, I had students read the Atlanta Constitution’s coverage of the lynching of Sam Hose, an African American accused of murdering Alfred Cranford, a white man, and raping Mattie Cranford, his wife. Hose was lynched in a field in Newnan, Georgia, on the afternoon of Sunday, April 23, 1899.

    The Constitution covered the event in great detail. “The spot selected was an ideal one for such an affair,” the paper said, “and the stake was in full view of those who stood about and with unfeigning satisfaction saw the negro meet his death and tortured before the flames killed him.” The Constitution estimated the crowd at two thousand, many of whom rode on special train cars set up to handle those from Atlanta and elsewhere who wanted to be there.

    “Before the fire was lighted his left ear was severed from his body. Then the right ear was cut away…. Other portions of his body were mutilated by the knives of those who gathered about him, but he was not wounded to such an extent that he was not fully conscious and could not feel the excruciating pain.” We talked in class about how lynchings often had a ritualistic aspect, including such mutilations. The Constitution does not say so, but we know from other accounts that the “other portions of his body” included his genitalia.

    And then they lit the fire. Only then, the paper says, did Hose scream.

    Through it all, the Constitution reported, the crowd was “orderly and well-behaved,” at least until the fire had died down. Then there was a mad rush to claim every bit of bone and flesh that had survived the flames.

    I talked with my students about another lynching, three decades later, in Marion, Indiana, at which two black men were hanged. A picture on the front page of the local newspaper the next day showed the dozens of people who came to revel in the aftermath, including a young couple—they look like they’re on a date—looking into the camera, holding hands and smiling.

    Postcard of the body of mentally disabled 17-year-old Jesse Washington after he was beaten with shovels and bricks, castrated, had his ears and fingers cut off and finally burned alive. His body is here hanging on display in Robinson, seven miles from Waco, where the lynching took place.

    Postcard of the body of mentally disabled 17-year-old Jesse Washington after he was beaten with shovels and bricks, castrated, had his ears and fingers cut off and finally burned alive. His body is here hanging on display in Robinson, seven miles from Waco, where the lynching took place.

    That led to a discussion of Without Sanctuary, the website and book of lynching photographs and postcards—postcards!—collected by Atlanta art dealer James Allen. When we go on vacation, we buy postcards with pictures of local attractions on the front, write “Having a great time, wish you were here” on the back, and send them to friends back home. One of the postcards Allen found shows the suspended body of a black man, surrounded by hundreds of white spectators, from a 1910 lynching in Texas. The inscription: “All OK and would like to get a post from you, Bill. This was some Raw Bunch.”

    We talked about the number of lynchings over the years—well over four thousand, 1880-1930, mostly in the South, mostly black men. We looked at a list of the 460 lynched in Georgia. All but 19 were African American.

    When I read Sam Olens’s letter Wednesday afternoon, I thought again of James Allen. Several years ago, Allen tried to arrange an exhibition of his lynching photographs. No one in Georgia would touch it. The first two exhibitions were in New York, with a third in Pittsburgh. Michael Lomax, currently president and CEO of the United Negro College Fund but at the time an English professor in Atlanta, said, “This shows how reluctant Atlanta is to confront something other than a chamber of commerce, sanitized version of its history.” Rick Beard, then director of the Atlanta History Center, put it more bluntly: “The ‘city too busy to hate’ is often also the city too busy to think deeply about the painful aspects of its past.”

    Olens’s letter reminded me of the importance of the Black Lives Matter movement, because historically, in Georgia and elsewhere, black lives have emphatically not mattered.

    I regret President Olens’s implications that “taking a knee” during the playing of the National Anthem is a sign of disrespect to our veterans and that the cheerleaders’ actions were a context-less exercise of free speech. I wish he could understand that the cheerleaders were not just taking a knee on a football field; they were kneeling in the stream of history, a history that we cannot forget.

    ###
    • Author's Note: David Parker wishes to state that this essay represents his views, not those of Kennesaw State University. This essay first appeared on Maureen Downey's Get Schooled blog on AJC.com. Image Credits: The public lynching of Samuel Hose (aka: Sam Holt and ”Tom" Wilkes) in 1899 in Newnan (Coweta County), Georgia (public domain) from Ostenta.net via Wikipedia.org; postcard of the body of mentally disabled 17-year-old Jesse Washington after he was beaten with shovels and bricks, castrated, had his ears and fingers cut off and finally burned alive. His body is here hanging on display in Robinson, seven miles from Waco, where the lynching took place – from Without Sanctuary: Lynching Photography in America, plates 25 and 26 via Wikipedia.org (public domain).
    David Parker

    David Parker

    David B. Parker, a native of North Carolina, is Professor of History at Kennesaw State University. He has written on humorist Bill Arp, evangelist Sam Jones, novelist Marian McCamy Sims, and other southern topics.

     

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    • Trevor Irvin

      Yes, a sad history that we are all still trying to cover up and ignore. Kneeling during the national anthem not only has nothing to do with service members -- it is a protest against police who routinely kill members of our society without cause. The venue is important as it is one of the few ways to gain national exposure for the protest. Those who protest the protesters are hypocrites and don’t understand our fundamental rights to protest — nor do they get the right to choose how, when and where protest occurs.

      • NYTimes has this editorial today that I encourage all to read: https://www.nytimes.com/2017/11/21/opinion/kaepernick-negro-national-anthem.html
        Giving context to the Star Spangled Banner: Key was a slave owner and wrote the song to celebrate the war victory over the British who had offered slaves freedom. It wasn’t our anthem until 1931 -- when Jim Crowe was in full swing and the Daughters of the Confederacy were sending the statues to be planted in all our southern parks. Take a listen to the Negro National Anthem (aka: “Lift Every Voice and Sing”): https://youtu.be/ngFDy52eCZY

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