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By now, most of us know that 28 July 1914 marks the formal beginning of WWI when the Austro-Hungarian Empire declared war on Serbia. Within a few days, most of the other nations of Europe had decided to unleash their own dogs of war in a complicated array of alliances that obliged them to come to the aid of their pals and fellow monarchs. Perhaps toward the end of the carnage a few years later, the phrase “How’s that working out for you?” was coined. It’s been quite a century since that war broke out. When the guns starting firing in August, Read on →
Every human culture, it seems, has had some notion of the sacred, and has placed that notion at the center of its worldview. From this, we can conclude several things: 1) that a sense of the sacred – like other universals, such as language and music – is an inherent part of our humanity; 2) that therefore we can conclude that this sense has served the cause of life of our kind through the eons in which we developed; and 3) that the experience of “the sacred” possesses an important kind of power, that it is not just an inherent part of us b Read on →
On Tuesday, July 22, Glenn Beck spoke from some 700 movie screens to Americans who paid admission to hear him attack the "Common Core." The "Common Core" consists of standards, offered to the states, defining the knowledge and skills that American school-children should learn at each stage of their education. Beck's move here reminded me of "The Music Man," the con man in the musical of that name who comes to an Iowa town to fleece the good people there. What Beck and the con artist in "The Music Man" have in common is that to accomplish their own hidden aims Read on →
This past weekend, my wife Jody and I attended a performance of Cyrano de Bergerac performed at the Blackfriar’s Theater in Staunton, Va. Just to hear the language was well worth the one-hundred forty mile round trip. Although I don’t have the skill to read it in the original French, Anthony Burgess’ translation which combines blank verse, prose, and rhyming couplets held our attention for the nearly three-hour performance. He created a contemporary sound for a play written in 1897 by Edmond Rostand based on an historical seventeenth-century troubadour, dramatist, poet, soldier, and sword-swinging duelist known for his razor-sharp wit and w Read on →