We are non-commercial, all volunteer and supported by our readers. Please help sustain the Dew by making a donation.
Worthy of Comment
Also on the Dew
Despicable. That's the only word for it. I refer to the recent official email "Responding to the Ebola Crisis" of October 17 from my congressional representative, Bob Goodlatte, of Virginia's 6th District. It begins by stating that "Ebola now spreading in the United States is of extreme concern [emphasis added]." The update then goes on to imply that millions of Americans have lost or will lose their health care under the Affordable Care Act ("Obamacare"). To connect the dots, which Rep. Goodlatte leaves to the reader, ostensibly to retain a fig leaf of decency: You may get Ebola, and if you do, Read on →
One wryly fascinating aspect of achieving "seniority" is that my senses have become more adept at finding free entertainment. Locating alternative sources of amusement has become almost a necessity these days. Daytime television remains abominable, cable TV is objectionally priced (probably by those same pirates who sell inkjet print cartridges) and the ransom one has to give up for seats to professional sporting events is unconscionable. Also, our local news daily, though not unreasonably priced is but a shell of its former self. It is no longer a joy to read. One amusing activity, I find, involves no equipment, no cover cha Read on →
In a class on Dante I'm currently enrolled in, Professor Frank Ambrosio of Georgetown University quoted the nineteenth century philosopher Friedric Nietzsche that human beings, as far as we know, are the only animals who make promises. I only add that humans are also the sole ones who break them. According to Ambrosio, Nietzsche puts the significance of human promising and its place with regard to freedom this way: "In man, nature set itself the task to breed an animal worthy of making promises." It's an extraordinary idea. What is it that allows an animal that lives in the here and now to Read on →
When you get interested in painting you naturally look around to see what others who got this bug have done. Finding out what painters are doing in the U.S. today is like listening to rock on the radio. You have to wade through a lot of “forgettables” before you hear one that will be an “oldie” in ten years. Museums show oldies. Most of their collections have been filtered. The forgettables have been thrown out. On this painting journey you will run across an opinion that painting is dead, irrelevant, old paradigm. You can ignore that, and be sure you will en Read on →