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Monday, May 20, 2013
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    The prolific Lyn Lifshin

    by | 2, Add your Comment | Jan 11, 2010

    The poet Lyn Lifshin, who divides her time between New York and Virginia, is one of the most prolific poets among my contemporaries, and has thousands of poems in print, by my loose reckoning. I have been reading her work in literary magazines for at least thirty years. Here’s a good example of this poet at her best.

    The Other Fathers

    would be coming back
    from some war, sending
    back stuffed birds or
    handkerchiefs in navy
    blue with Love painted
    on it. Some sent telegrams
    for birthdays, the pastel
    letters like jewels. The
    magazines were full of fathers who
    were doing what had
    to be done, were serving,
    were brave. Someone
    yelped there’d be confetti
    in the streets, maybe
    no school. That soon
    we’d have bananas. My
    father sat in the grey
    chair, war after war,
    hardly said a word. I
    wished he had gone
    away with the others
    so maybe he would
    be coming back to us

    American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2008 by Lyn Lifshin, whose most recent book of poems is Persephone, Red Hen Press, 2008. Poem reprinted from Natural Bridge, No. 20, Winter, 2008, by permission of Lyn Lifshin and the publisher. Introduction copyright © 2009 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited poetry manuscripts.

    ###

    Ted Kooser

    Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

     

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    • Bob

      Doesn’t sound like poetry to me. Reads like a simple reflection in prose arranged in a typography to resemble poetry. Sorry.
      But there’s a lot of that going around these days.

    • Dallas

      A lovely poem, tightly composed, fewer than 100 words, with the title encompassed in 24 lines, and a relaxed 3-beat rhythm that draws us into a state of anticipation involving fathers & war, but then pays off with a surprise of considerable originality and emotional impact -- i.e., the picture of a father who never went to war but nonetheless could not have been more absent, or more heartbreakingly missed. The writer felt something deeply and brought it home to us succinctly, freshly, artfully. Powerful.

  • Worthy of Comment



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