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The first sounds heard in Aretha Franklin’s “Chain of Fools” are subtle but striking guitar notes. The guitar in the song may have as much presence as Aretha’s voice; no small feat. The guitar player? Joe South. Brought in by producer Jerry Wexler to provide a “Pop Staples” mood, South, a respected songwriter, producer and session player, set a haunting tone as Aretha sang about that love demon that would not let her go.

“Chain of Fools” was a huge hit in 1968, a remarkable year for Aretha Franklin. It was also a big year for Joe South. His recording of his own “Games People Play” climbed the charts, peaking at #12 on the Billboard Hot 100. The song also won a Grammy.  Joe South was out of the shadows and likely to remain in the spotlight. The Dylan comparisons abounded. There was surely more greatness ahead. What would the young Atlantan come up with next?

The next year South gathered a handful of new originals for his third album, “Don’t It Make You Want to Go Home.”  The title track was the first of what would be three hits on the album. “Don’t It Make You Want To Go Home” tells the story of a young man who yearns to return to the small town of his childhood days. He goes to the Greyhound station, buys a one-way fare and tells himself that “Good Lord willing and the creeks don’t rise,” he’ll be there the next day. The young man is happy to be going back home.

But as with many who leave their homes to return years later, the young man is saddened by what he sees in his hometown.  Much had changed since he was last there. A six lane highway has been constructed by the creek where he “went skinny dipping as a child.” Also there was “a drive-in-show where the meadow used to grow and the strawberries used to grow wild.”  The indignities upon the land pile up.  A drag strip down by the riverside where his Grandma’s cow used to graze. The young man sees an era has passed and the one that’s replaced it is artificial and dormant.  South sings, “Now the grass don’t grow and the river don’t flow like it did in my childhood days.”

The song’s wistful chorus is sung just after the story-setting introduction. As it’s repeated throughout the song, the very same words take on different meanings. In the beginning, the words “All God’s children get weary when they roam” convey a sense of straying far from the values one learned early in life.  At the song’s end, the words indicate a weariness with what the world offers.

Although slightly over-produced, South’s recording is lovely.  His vocal delivery is informed by the young man’s hopes and discoveries.  His guitar playing is crisp.  “Don’t It Make You Want to Go Home” would be recorded by others as well, including Brook Benton, Bobby Bare, Ferlin Husky and most poignantly by former Byrd Gene Clark and Carla Olson on their wonderful 1987 album, “So Rebellious A Lover.”

One writer reported South wrote the song because he wanted people to remember life as he did from his own childhood. Born in Atlanta, South experienced a far less noisy and crowded town back in the forties and fifties than we can imagine now. The rural scenes he describes may have been in today’s not-so-rural areas such as Gwinnett County and the northern reaches of Fulton County. Many Atlantans remember when those places had large expanses of farmland.

In our lives today, 40 years since Joe South wrote of wanting to go home, we may find acquiring such small patches of paradise like he described very expensive. Each time a Wal-Mart builds its even bigger store, surrounded by endless seas of asphalt, the patch of paradise is farther up the road.  Paradise is not so accessible and it’s more costly to spend time there, never mind owning a piece of it.

As children, my siblings and I rode to the mountain counties in North Georgia. On the way our parents would sadly point to a shopping center built on land near where the river flowed.  To materialistic kids, their laments seemed silly.  After all, the shopping center had toys, candy, comic books and board games. But the shopping center’s appeal would not last. Memories of sitting on the porch with your grandmother as she shelled peas would.  You’d also remember standing outside the post office on a Sunday morning with your grandfather and his friend when the church bells rang.  The grandfather would remark to his friend that he ought to be in church himself, if only for the grandson’s benefit. Such memories come to life when thinking about Joe South’s song. What home was. What home turned out to be. Don’t it make you want to go home?

Editor’s note: This story is another in the Southern Song of the Day series.

Hear Joe South’s “Don’t It Make You Want to Go Home:”

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8 Responses to “‘Don’t It Make You Want To Go Home’”

1. Keith Graham says:

   August 3, 2009 at 8:53 pm

   The stories I used to hear could be largely apocryphal, and I haven’t seen anything definitive on this question. But I have often heard that the area Joe South based some of the details on this song on was Covington/Newton County, east of Atlanta on the Yellow River, which was considerably changed by the building of I-20 right through it. The song worked because it could have been just about anywhere. But I did notice one review on Amazon that shows at least someone else still believes the Covington story. She identified herself as Miss Girl and wrote this (the rest of this comment is from her):
   I live in Covington Ga. If i’m not mistaken Joe’s six lane highway,drive-in show, and dragstrip down by the riverside are about 8 miles up the road from my house. In highschool, we were told that it was. I adored his music. It’s so truthful and honest and real in this world of games!
   Wherever you are Joe, God Bless You!
   I had this album on 8 track tape in 1969, and someone stole it out of my car. Back then we did not lock our doors. I was pure sick! This is a must have it CD.
   Melissa
   P. S. I miss him.

   Reply
2. Doug Monroe says:

   August 4, 2009 at 9:24 am

   Keith, I remember the Yellow River drag strip was a big deal back in the 60s. You could also see Joe South hanging out in the Sandy Springs area in the 60s. Not sure where he went to high school, though.

   Reply
3. Kip Burke says:

   August 4, 2009 at 10:44 am

   Some of the best trouble I ever got into as a teen was going to rock concerts at the Oporto Armory in Birmingham where Joe South, Billy Joe Royal, the Tams, the Swinging Medallions, et al, played, usually on school nights. They were well worth getting grounded for, and I’d take a whippin to go back. Thanks for bringing back these great memories.

   Reply
4. Tim Oliver says:

   August 4, 2009 at 5:20 pm

   Keith,
   Anybody named Miss Girl knows what time it is ! Ya feel me, dawg ?

   Reply
5. jack says:

   December 10, 2009 at 8:19 am

   you connected joe south with bob dylan but failed to point out that he actually plays on dylan’s 1966 blonde on blonde album.

   Reply
6. Jeff Cochran says:

   December 10, 2009 at 8:36 am

   Hi Jack,

   Thanks for reading. Joe South’s playing on “Blonde On Blonde” is covered in my story on “Untie Me.” It’s featured today in Like The Dew. Please check it out. I’ll have another piece on Joe South in the near future.

   Best,

   Jeff

   Reply
7. Bill says:

   December 10, 2009 at 12:14 pm

   Great article…..I have always been intrigued by Joe South but haven’t delved into much of his music yet. I have the same experience in NY with things being “improved”.

   Reply
8. jack says:

   December 10, 2009 at 8:06 pm

   apologies.
   just found it.
   another good piece.
   thanks.

   Reply

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